%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,quote,ragged-right]
\include "lilypond-book-preamble.ly"


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% Start cut-&-pastable-section
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#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
  line-width = 160\mm - 2.0 * 10.16\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
  ragged-right = ##t
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "snippets/positioning-multi-measure-rests.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it was automatically
%% generated from the LilyPond Snippet Repository
%% (http://lsr.di.unimi.it).
%%
%% Make any changes in the LSR itself, or in
%% `Documentation/snippets/new/`, then run
%% `scripts/auxiliar/makelsr.pl`.
%%
%% This file is in the public domain.

\version "2.23.13"

\header {
%% Translation of GIT committish: f11513f36c131dab18338d6a3a729e24a927150d
  texidocja = "
通常の休符と異なり、音符に付加することによって@c
複数小節にまたがる休符の位置を変更するコマンドは@c
用意されていません。@c
しかし、多声の音楽では、奇数番号のボイスと偶数番号のボイスで休符の位置が@c
分けられます。複数小節にまたがる休符の位置は以下のようにコントロールできます:
"
  doctitleja = "複数小節にまたがる休符の位置を変更する"

%% Translation of GIT committish: 2f3474d9af596d677ed5b7ce720ae4d0954a6b51
  texidocit = "
Diversamente dalle pause normali, non esiste un comando predefinito per
cambiare la posizione sul rigo di un simbolo di pausa multipla di qualsiasi
tipo connettendolo a una nota.  Tuttavia, nella musica polifonica le pause
multiple nelle voci dispari e pari sono separate verticalmente. Il posizionamento
delle pause multiple si controlla nel modo seguente:

"
  doctitleit = "Posizionamento delle pause multiple"

%% Translation of GIT committish: a3fd5364fc4f247579da0ed2bfea887ab37285c6
  texidocfr = "
Si l'on peut positionner verticalement un silence simple en le
rattachant à une note, il n'en va pas de même pour un silence
multimesure.  Néanmoins, et uniquement dans le cadre de musique
polyphonique, les silences multimesures sont positionnés différemment
selon qu'ils appartiennent à une voix au numéro pair ou impair.

Le positionnement des silences multimesures peut se contrôler ainsi :
"

  doctitlefr = "Positionnement des silences multimesures"

%% Translation of GIT committish: 0c00cd98e81b27325bed5891b950fe7f0f0ebe5d
  doctitlees = "Posicionar los silencios multicompás"
  texidoces = "
A diferencia de los silencios normales, no existe una instrucción
predefinida para modificar la posición predeterminada de un
símbolo de silencio multicompás sobre el pentagrama, adjuntándolo
a una nota, independientemente de cuál sea su forma.  Sin embargo,
en la música polifónica los silencios multicompás de las voces de
numeración par e impar están separados verticalmente.  La
colocación de los silencios multicompás se puede controlar como se
ve a continuación:

"

%% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
texidocde = "
Anders als bei normalen Pausen gibt es keinen direkten Befehl, um die
vertikale Position von Ganztaktpausen zu beeinflussen, indem man sie an
eine Tonhöhe anhängt.  In polyphoner Notation wird aber dennoch die
Position der Pausen von geraden und ungeraden Stimmen voneinander
unterschieden.  Die Position von Ganztaktpausen kann wie folgt verändert
werden:
 "
  doctitlede = "Positionierung von Ganztaktpausen"



%% Translation of GIT committish: 2ba2ca2073f389842aa87f85b6c740b8488f0125
  doctitleca = "Posicionar els silencis multicompàs"
  texidocca = "
A diferència dels silencis normals, no existeix una ordre predefinida
per modificar la posició predeterminada d'un símbol de silenci
multicompàs sobre el pentagrama, adjuntant-lo a una nota,
independentment de quin sigui la seva forma.  No obstant, en la música
polifònica els silencis multicompàs de les veus de numeració parell i
imparell estan separats verticalment.  La col·locació dels silencis
multicompàs es pot controlar com es ve a continuació:

"

  lsrtags = "rhythms, tweaks-and-overrides"

  texidoc = "
Unlike ordinary rests, there is no predefined command to change the
staff position of a multi-measure rest symbol of either form by
attaching it to a note.  However, in polyphonic music multi-measure
rests in odd-numbered and even-numbered voices are vertically
separated.

The positioning of multi-measure rests can be controlled as follows:
"

  doctitle = "Positioning multi-measure rests"
} % begin verbatim


\relative c'' {
  % Multi-measure rests by default are set under the fourth line
  R1
  % They can be moved using an override
  \override MultiMeasureRest.staff-position = #-2
  R1
  \override MultiMeasureRest.staff-position = #0
  R1
  \override MultiMeasureRest.staff-position = #2
  R1
  \override MultiMeasureRest.staff-position = #3
  R1
  \override MultiMeasureRest.staff-position = #6
  R1
  \revert MultiMeasureRest.staff-position
  \break

  % In two Voices, odd-numbered voices are under the top line
  << { R1 } \\ { a1 } >>
  % Even-numbered voices are under the bottom line
  << { a1 } \\ { R1 } >>
  % Multi-measure rests in both voices remain separate
  << { R1 } \\ { R1 } >>

  % Separating multi-measure rests in more than two voices
  % requires an override
  << { R1 } \\ { R1 } \\
     \once \override MultiMeasureRest.staff-position = #0
     { R1 }
  >>

  % Using compressed bars in multiple voices requires another override
  % in all voices to avoid multiple instances being printed
  \compressMMRests
  <<
   \revert MultiMeasureRest.direction
    { R1*3 }
    \\
   \revert MultiMeasureRest.direction
    { R1*3 }
  >>
}



% ****************************************************************
% end ly snippet
% ****************************************************************
