%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "/lilypond-2.24.4/input/regression/beam-broken-classic.ly"
\sourcefileline 0
\version "2.19.21"

\header {
  texidoc="Some classic examples of broken beams, all taken from
Scriabin Op. 11, No. 1.
"
}

\paper {
  ragged-right = ##t
}

music = \relative {
  \override Beam.breakable = ##t
  r2. f''8[ c \break
  e c f,] r8 r4 a'8[ e \break
  g d g,] r8 r4 f'8[ a, \break
  e' g, bes] r8 r4 <a' a,>8 [ d, \break
  <g g,> d g,] r8 r4 <d' d,>8[ a \break
  <c c,> g d] r8 r2
  \clef bass
  r2. d,,8[ d' \break
  a'-4 d a] r8 r4 cis,,8[ cis' \break
  bes' e g] r8 r4 g,,,8[ g' \break
  f' b d ] r8 r2 |
}

\markup { "\override Beam.positions = #beam::place-broken-parts-individually (default)" }
{ \music }

\markup { "\override Beam.positions = #beam::align-with-broken-parts" }
\markup { \justify { Returns y-positions at the ends of the beam such that beams align-across-breaks. } }
{
  \override Beam.positions = #beam::align-with-broken-parts
  \music
}

\markup { "\override Beam.positions = #beam::slope-like-broken-parts" }
\markup { \justify { Approximates broken beam positioning in turn-of-the-century Editions Peters scores. } }
{
  \override Beam.positions = #beam::slope-like-broken-parts
  \music
}



% ****************************************************************
% end ly snippet
% ****************************************************************
