%% Generated by lilypond-book
%% Options: [exampleindent=10.16\mm,indent=0\mm,line-width=160\mm,quote,ragged-right]
\include "lilypond-book-preamble.ly"


% ****************************************************************
% Start cut-&-pastable-section
% ****************************************************************

#(ly:set-option 'eps-box-padding 3.000000)



\paper {
  indent = 0\mm
  line-width = 160\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
  line-width = 160\mm - 2.0 * 10.16\mm
  % offset the left padding, also add 1mm as lilypond creates cropped
  % images with a little space on the right
  line-width = #(- line-width (* mm  3.000000) (* mm 1))
  ragged-right = ##t
}

\layout {
  
}




% ****************************************************************
% ly snippet:
% ****************************************************************
\sourcefilename "snippets/vocal-ensemble-template-with-verse-and-refrain.ly"
\sourcefileline 0
%% DO NOT EDIT this file manually; it was automatically
%% generated from the LilyPond Snippet Repository
%% (http://lsr.di.unimi.it).
%%
%% Make any changes in the LSR itself, or in
%% `Documentation/snippets/new/`, then run
%% `scripts/auxiliar/makelsr.pl`.
%%
%% This file is in the public domain.

\version "2.23.13"

\header {
%% Translation of GIT committish: a8a85e19654e46d725563e6deba44083ef137a2c
  texidocja = "
このテンプレートでは、ソロの詩句から始まり、2 つのボイスからなるリフレインが@c
続く楽譜を作成できます。また、@code{\\global} 変数を用いて、@c
拍子記号の変更 (や、その他の全パートに共通な部分) を楽譜全体に反映させる例も@c
示しています。タイミングを合わせるために空白休符を用いています。
"
  doctitleja = "詩句とリフレインからなる合唱譜"

%% Translation of GIT committish: 2f3474d9af596d677ed5b7ce720ae4d0954a6b51
  texidocit = "
Questo modello crea una partitura che inizia con una sezione solistica e
prosegue in un ritornello a due voci.  Illustra anche l'uso delle
pause spaziatrici all'interno della variabile @code{\\global} per definire
i cambi di tempo (e altri elementi comuni a tutte le parti) nel corso di
tutta la partitura.
"
  doctitleit = "Modello per gruppo vocale con strofa e ritornello"

%% Translation of GIT committish: a3fd5364fc4f247579da0ed2bfea887ab37285c6
  texidocfr = "
Ce canevas illustre la manière d'agencer une œuvre vocale où le couplet
est chanté en solo et le refrain à deux voix. Vous noterez le recours
aux silences invisibles dans la variable @code{\\global} : ils
permettent de positionner les changements de métrique et autres éléments
communs à toutes les parties, ce pour l'intégralité du morceau.
"

  doctitlefr = "Ensemble vocal avec couplet et refrain"

%% Translation of GIT committish: 8ffecf6be17c6ec2ff87cf31873121a8cce29b09
  texidoces = "
Esta plantilla crea una partitura que comienza con una estrofa para
solista y continúa con un estribillo a dos voces.  también muestra el
uso de silencios de separación dentro de la variable @code{\global}
para definir cambios de compás (y otros elementos que son comunes a
todas las partes) a lo largo de toda la partitura.

"
  doctitlees = "Estrofa para solista y estribillo a dos voces"

%% Translation of GIT committish: 64feeff58e5ce3397de87188a08ac99f7ef8e37b

  texidocde = "
Diese Vorlage erstellt eine Partitur, die mit Sologesang beginnt und einen
Refrain für zwei Stimmen enthält.  Sie zeigt auch die Benutzung von
Platzhalter-Pausen innerhalb der @code{\global}-Variable, um Taktwechsel
(und andere Elemente, die für alle Stimmen gleich sind) für das gesamte
Stück zu definieren.

"
  doctitlede = "Sologesang und zweistimmiger Refrain"

%% Translation of GIT committish: 8ffecf6be17c6ec2ff87cf31873121a8cce29b09
  texidocca = "
Aquesta plantilla crea una partitura que comença amb una estrofa
per a solista i continua amb una tornada a dues veus.  També mostra
l'ús de silencis de separació dins de la variable @code{\global}
per definit canvis de compàs (i altres exemple que són comuns a
totes les parts) al llarg de tota la partitura.

"
  doctitleca = "Estrofa per a solista i tornada a dues veus"

  lsrtags = "contexts-and-engravers, template, vocal-music"

  texidoc = "
This template creates a score which starts with a solo verse and
continues into a refrain for two voices.  It also demonstrates the use
of spacer rests within the @code{\\global} variable to define meter
changes (and other elements common to all parts) throughout the entire
score.
"

  doctitle = "Vocal ensemble template with verse and refrain"
} % begin verbatim


global = {
  \key g \major

  % verse
  \time 3/4
  s2.*2
  \break

  % refrain
  \time 2/4
  s2*2
  \bar "|."
}

SoloNotes = \relative g' {
  \clef "treble"

  % verse
  g4 g g |
  b4 b b |

  % refrain
  R2*2 |
}

SoloLyrics = \lyricmode {
  One two three |
  four five six |
}

SopranoNotes = \relative c'' {
  \clef "treble"

  % verse
  R2.*2 |

  % refrain
  c4 c |
  g4 g |
}

SopranoLyrics = \lyricmode {
  la la |
  la la |
}

BassNotes = \relative c {
  \clef "bass"

  % verse
  R2.*2 |

  % refrain
  c4 e |
  d4 d |
}

BassLyrics = \lyricmode {
  dum dum |
  dum dum |
}

\score {
  <<
    \new Voice = "SoloVoice" << \global \SoloNotes >>
    \new Lyrics \lyricsto "SoloVoice" \SoloLyrics

    \new ChoirStaff <<
      \new Voice = "SopranoVoice" << \global \SopranoNotes >>
      \new Lyrics \lyricsto "SopranoVoice" \SopranoLyrics

      \new Voice = "BassVoice" << \global \BassNotes >>
      \new Lyrics \lyricsto "BassVoice" \BassLyrics
    >>
  >>
  \layout {
    ragged-right = ##t
    \context { \Staff
      % these lines prevent empty staves from being printed
      \RemoveEmptyStaves
      \override VerticalAxisGroup.remove-first = ##t
    }
  }
}



% ****************************************************************
% end ly snippet
% ****************************************************************
